Sam grabbing some very tasty licks while demonstrating of the Dead Horse Overdrive MKIII
The Dead Horse MKIII getting some classic Ozzy tone from a Soldano SLO100
How to continue to engage and grow their fan base while you’re secluded in the recording studio.
Watch the Dead Horse leave the TS9 embarrassed in this head to head comparison of the 2 legends in front of a clean Marshall…
The new song “Twilight” from abstracts featuring Mark Holcomb (Periphery) from 3:36 – 3:56
Strictly 7 Guitars Cobra Std7(DropC) – Pro Tone Pedals Bulb Overdrive Deluxe – Focusrite Saffire PRO 40 – Positive Grid BIAS Desktop
This is a quick video showing the sound differences between the Dead Horse Overdrive III, the Bulb Signature Overdrive, The Bulb Attack Overdrive and the Jeff Loomis Limited Overdrive from Pro Tone Pedals. The guitar player is Nao from the Japanese visual rock band Arlequin (アルルカン). The guitar was a Strictly 7 Guitar Solar7 and the amplifier was a Blackstar HT-5. The sound was taken from the build-in mic of the camera (Canon 60D).
Soundwave Studio did a rerecord of the Christmas classic Carol Of The Bells
The Essential Edition Dead Horse Overdrive pushing an Orange AD30
In this video, the Gear Gods put four very nice overdrive pedals through their paces. We touch on a Keeley spec’ed Ibanez TS7, a Mission Engineering Delta III, the Pro Tone Bulb Deluxe and lastly the RockBox Boiling Point!
Jeff Loomis demonstrating his signature overdrive pedal from Pro Tone Pedals in this play through of the Nevermore classic- The River Dragon Has Come.
This was written and shot over a weekend in South Carolina for Pro Tone Pedals by Paul Allender from White Empress and Andy Thomas from Black Crown Initiate .
Andy Thomas of Black Crown Initiate demonstrating the Haunted Delay
This is the brand new Misha Mansoor signature Attack Overdrive from Pro Tone Pedals. Based on the Bulb Overdrive but with the attack switch hardwired in, and the diode removed to save space and make a more cost efficient pedal.
Drop by our studio page and give us a like if you like the video and want more
Ibanez RGD7 with Bareknuckle Aftermaths
Misha Mansoor Attack Overdrive
FractalAudio Axe FXII
Guitar has minimum processing. Just a high pass, a low pass filter and a multiband compressor to tame some low mids and thats it.
Bass is Signal Audios Zombass
Drums are Toontracks Superior Drummer with Avatar kit and Metal Foundry blended in
Pro Tone Pedals: https://protonepedals.com
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Big thanks to our friend Alain Shaboon for this killer video!
This is a short clip without bass to show what this guitar sounds like in Drop A tuning through this amp. All original music that will soon be released as a solo project of mine. Feel free to comment anything including questions of any kind. Thank you and enjoy.
To follow my music project and stay up to date on my first release, visit Katasyr on Facebook and maybe give it a like to get updates on new tracks as they are completed with vocals too. I made up the name Katasyr over 20 years ago and am finally utilizing it as a band name.
Special thank you to Nick Botelho for drums and edits.
John Kiernan demos Pro Tone Pedals “Phase Shift” Pedal!
Great pedal for some crazy sounds!
John Kiernan’s “Of Oceans” ALBUM OUT NOW!!!
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Tone meister Lasse Lammert knocked this demo out a while back…
Who wants to hear a clip of the most under-appreciated heavy guitar amp of the last 2 decades?
People frown upon it, people scrunch up their nose, people roll their eyes, people don’t expect much when they hear the name of this amp….People have no fucking clue how awesome it is and thanks to that fact you can get it for just under 200$ on ebay…
– Pro Tone Keith Merrow Overdrive
– Marshall 8100
-Mesa Rectifier 4×12
Gord Olson has been using the Keith Merrow Overdrive (out of production, but sounds a lot like the Dead Horse) for some time now… here’s a poweramp comparison video he did a few months ago.
Notes from Gord:
I wanted to hear what kind of a difference there is between the power section of my 6505 (tube) head, and this very cool little ISP Stealth (solid state) amp that I recently picked up. I’m super impressed with the sound of the ISP, and was happy to find that it fit right into the back of my Kemper! I work for a company with a steel fab shop, so I designed a couple of brackets that attach to the Kemper, and keep the ISP secure in the back. Works perfectly!
In both examples, the signal goes through a Pro Tone Keith Merrow OD pedal and into the Kemper. From there it goes to one of the two amps, then into my Marshall 1960A cabinet with V30 speakers, and through a single Shure SM57 microphone.
Two guitar tracks, one on the left, and one on the right.